Left: Nate Johnson, Nixon Elementary School, Kindergarten, Untitled, 2015, paint and marker on papier-mâché over foil and recycled bottle Right: Alice Wang, Palo Alto High School, Grade 12, Untitled, 2015, mixed media on paper
Each year, the Art Center showcases youth creativity in two exhibitions that celebrate the artistic vibrancy of our community. Youth Art features artwork produced by children, youth, and teens in the Palo Alto Unified School District. Cultural Kaleidoscope displays the collaborative art projects created in the Art Center’s artist-in-the-schools program, Cultural Kaleidoscope. Featuring inspiring artwork in a wide range of media, these beloved exhibitions demonstrate the power of artwork for children of all ages.
*The Youth Art exhibition closes May 24.
OPENING CELEBRATION FOR YOUTH ART AND CULTURAL KALEIDOSCOPE
Wednesday, May 6, 4:30-7 p.m.
Join us and celebrate the artwork of children at the Palo Alto Art Center’s spring exhibitions!
Double Take by Patrick Dougherty: A site-specific installation
January 2011 -
Patrick Dougherty and detail of Ruaille Buaille (Hijinx) 2008, Parklands in County Offaly, Ireland. Photo: James Fraher
The Palo Alto Art Center is honored to present a monumental, site-specific installation by Patrick Dougherty, one of the nation’s most prominent environmental sculptors. The public may view the artist’s creative process during his three week artist residency, January 11- 28, 2011, on the grounds of the Palo Alto Art Center.
Identified as the Jackson Pollock of saplings by art critic John Perreault, Patrick Dougherty is a process-oriented artist whose lyrical, organic works are created specifically for each site. Made from local and renewable willow saplings, his works embody natural life cycles, changing over time as the sticks settle and decay, eventually returning to the earth from which they grew. Dougherty has created over 200 monumental site-specific installations on the grounds of major museums, universities, botanical gardens, and private residences worldwide. The resulting works evoke a wide array of natural forms, ranging from nests to objects with a transparent architecture, like woodland dwellings, or basketry.
Environmental sensitivity is a major concern for the artist. Saplings are gathered from maintained sources so that the branches grow back to make new sticks for future uses. Dougherty does not use any artificial supports in his constructions because the inherent properties of saplings cause them to snag and entangle easily.
While there is a signature quality to his work, each of his compelling sculptures relates specifically to the physical site in a unique way. Dougherty believes that ideas percolate at the actual venue and that “the success of a piece lies in capturing the essence of a place and then playing with what you make of that essence.” Unlike other sculptors, he initially conceives of his work by making a series of word associations on both the physical and social qualities of a site. He is conscious of drawing in space, as he weaves sticks with lighter and darker colors and varying widths and lengths.
This project is commissioned by the Palo Alto Art Center Foundation and co-sponsored by the Palo Alto Public Art Commission. It is made possible by a grant from the Institute of Museum and Library Services.